Who knew there are toilet spells???

DABBE was...absolutely refreshing in terms of horror fare. Unusual, original, authentic, wildly unpredictable, (which is difficult when one has been there done that in terms of every kind of nightmare film or book around...) and set in one of my favorite lands, Turkey. From the first few minutes you knew it was going to be good. Theres much to resonate with the Eastern horror fan that you dont find in any kind of Western fare ( including massive clumps of damp decompsing "drain" hair being vomited by people and decomposing cattle skulls- which I know is a thing in Sri Lanka because my husband said he had offers for the skulls of his family's buffaloe herd when they had got ill and died) ....this was absolutely fascinating for me, because previously Id always thought of ddjinns as rather standardised and regular...and Id never watched a film featuring a Muslim excorcist!!! Move over Nun, Polterguiest and frankly any other western fare, because this tradition was way more familiar, where I come from. DABBE is also, terrifyingly, based on actual events and Nadeesha and I had to dim down the audio because we didnt want any part of demons invocation in original biblical languages, to enter our living room! and turns out thats a good thing because I later learnt that some of the demon voices had been retrieved from actual tapes from the cases!!!....(For good measure we decided to play Buddhist prayers and watch a comedy afterwards, thats how effective it was!) Twelve out of ten in terms of halloween horror fare, although it lost a point or two for its exaggerated shaky cameramanship (Blair Witch style) which always makes me nauseous and is the reason I could never get on the computer games bandwagon...and also there were inexplicable and much maligned pythons at one point just put there to add effect to anyone with snake phobias which didnt work on us because we love reptiles...(naga ganaya anyone?) But.....overall,  if you want to be scared shitless and absolutely not know whats coming next and also be affected in a visceral way, this is a treat worth waiting for. What can I say, dont do this at home, alone ....

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Cultural Horror from Turkey

Dabbe" (also known as "Dabbe: The Possession") is a Turkish horror film directed by Hasan Karacadag, released in 2006. The movie has made a significant impact on the Turkish horror genre, and it stands out for its unique approach to supernatural horror and its deep connection to Islamic and Turkish folklore.

The film's plot revolves around a group of individuals who find themselves ensnared in a series of inexplicable and horrifying events. The central characters, Kubra and Harun, along with their friends, become the targets of a malevolent supernatural force. As they delve deeper into the mystery, they seek assistance from a religious scholar, a psychiatrist, and a psychic to comprehend and combat the sinister presence that haunts them.

What sets "Dabbe" apart is its profound exploration of Islamic and Turkish folklore, particularly the concept of "dabbe." In Islamic belief, "dabbe" refers to malevolent supernatural beings capable of infiltrating the human realm and causing harm. This concept serves as the core theme of the film as the characters experience increasingly disturbing and unexplained phenomena, including possessions, hauntings, and mysterious deaths.

The film excels in creating an atmosphere of tension and fear, keeping viewers on edge throughout the narrative. Hasan Karacadag's expertise in the horror genre is evident as he seamlessly combines elements of Islamic theology and Turkish superstitions to craft a genuinely eerie and unsettling experience.

"Dabbe" has played a pivotal role in shaping Turkish horror cinema and has even spawned a successful franchise of films exploring similar themes. Its success can be attributed to its ability to resonate with Turkish audiences by blending supernatural horror with cultural elements deeply rooted in local folklore and beliefs.

The Significance of "Dabbe" in Turkish Cinema

"Dabbe" is a groundbreaking film in Turkish cinema for several reasons. It represents a shift in Turkish horror cinema by embracing supernatural and occult themes, which were relatively unexplored in earlier Turkish films. While Turkish cinema has a rich history of horror films, "Dabbe" introduced a new dimension to the genre by drawing inspiration from Islamic and Turkish supernatural beliefs. This approach made "Dabbe" both distinctive and culturally resonant.

Islamic and Turkish Folklore Influence

One of the most striking aspects of "Dabbe" is its profound connection to Islamic and Turkish folklore. The film takes inspiration from Islamic theology, Sufism, and local superstitions to create a narrative that taps into deeply ingrained cultural beliefs. The concept of "dabbe" is central to the film, and it derives from Islamic eschatology, where "dabbe" refers to a malevolent creature that will emerge in the end times.

The film draws upon various Islamic and Turkish cultural elements, including verses from the Quran and references to djinn, exorcism, and the evil eye. These elements are seamlessly integrated into the story, adding an authentic layer of cultural significance to the horror narrative. "Dabbe" effectively explores the fine line between faith and fear, and it engages with the audience on a cultural and psychological level.

Supernatural Horror with Cultural Authenticity

"Dabbe" excels in creating an unsettling and eerie atmosphere, setting it apart from typical horror films. The movie is not reliant on jump scares or gratuitous violence; instead, it builds tension and fear through an intricate narrative and a profound connection to cultural elements.

The film's approach to supernatural horror is deeply rooted in Islamic and Turkish beliefs, making it an immersive and authentic experience for Turkish viewers. By incorporating these cultural references and folklore, "Dabbe" resonates on a level that extends beyond typical horror movie tropes.

The Influence of Director Hasan Karacadag

Hasan Karacadag, the director of "Dabbe," is a central figure in Turkish horror cinema. He is known for his expertise in the horror genre and has contributed significantly to shaping the landscape of Turkish horror films. His dedication to exploring the supernatural and his ability to create a sense of unease have made him a prominent figure in the industry.

"Dabbe" is one of his most notable works, and it showcases his skill in crafting a tense and suspenseful narrative. Karacadag's ability to blend elements of Islamic and Turkish culture with horror themes is a testament to his talent as a director and storyteller. His influence on Turkish horror cinema is undeniable, and "Dabbe" remains a standout example of his contributions to the genre.

Impact and Legacy

"Dabbe" has had a lasting impact on Turkish cinema, particularly in the horror genre. Its success has led to the creation of a franchise of films that continue to explore themes related to supernatural entities, demonic possession, and unexplained phenomena. The "Dabbe" series has gained a dedicated following and has further solidified the film's place in Turkish popular culture.

The film's unique approach to horror, its cultural authenticity, and its ability to tap into the fears and beliefs of Turkish audiences have made it a significant landmark in Turkish cinema. "Dabbe" has shown that horror can be a vehicle for cultural exploration and reflection, and it continues to be discussed and celebrated by both film enthusiasts and scholars.

In Conclusion

"Dabbe" is a Turkish horror film that has left an indelible mark on the country's cinema. Its exploration of supernatural horror, demonic possession, and cultural beliefs has set it apart as a unique and culturally resonant work. The film's success, the influence of director Hasan Karacadag, and its impact on Turkish horror cinema showcase its significance within the industry.

"Dabbe" is more than a horror movie; it is a cultural exploration that engages with Islamic and Turkish folklore to create an authentic and unsettling experience. Its legacy as a groundbreaking and influential film in Turkish cinema is well-deserved, and it continues to be a point of discussion and admiration among film enthusiasts and scholars alike.